Archive for November, 2004

Get Thee Out!

Posted by Eric on November 15th, 2004

I’m at work, and Fox’s Trading Spouses is showing us all how much fun it would be to swap out a Fundamentalist Christian Republican housewife with a Jewish Democratic housewife. While I’m cringing nearly every other second from the producers’ conflict-centric editing blueprint, it is sort of amusing to see how they try to sculpt the results so that the Christians are depicted as inordinately happy and emotionally isolated to the extent that they can’t even sense when their behavior is blithely ignorant (or perhaps just unwilling to presume) that there are other types and enclaves of people that might not so willingly surrender to the spiritual novocaine. Meanwhile, the Jewish family is depicted as having so thick a collective hide and such a deeply planted need to maintain skepticism that they won’t even for one second open up to their surrogate mother’s (possibly underhanded) attempts to bring them “happiness” (which notably includes attending church against their will). Ultimately, the show’s very retrograde thesis is that home is where you belong, no matter how willing you might be to transcend/escape/deny your background. Thanks, Fox. A decade and change of The Simpsons teaching me week in and week out that the American nuclear family model is at the heart of every societal abnormality in view thrown down the drain.

Anyway, here are three films I watched in the last few days that were directed by acquaintances. Though I still remain a tad reticent to writing about films with personal connections (such that they are), allow me to plug them in no particular order.

Pause (d. Jaime N. Christley, 2004) — I have already written comments to this film’s author privately, but suffice it to say that any movie that samples To Be and To Have (which I haven’t seen but, if everyone in the world is to be believed, is a fantastic film) is already doing one thing right. Yep, I said sampled, because Christley’s application of the recognizable film clip is remarkably terse and emotive. I don’t exactly know what it was that he did (whether it was its placement as a transition as opposed to barging into a scene to offer cheeky meta-criticism, or what), but it brings to mind particularly well-applied samples that feel like found art rather than plundering laziness. The short features Sean and Bonnie, a couple on the cusp of… something. The suggestion of tension is there, but aside from a tremendously unexpected ashtray moment (which may or may not be an homage to The Public Enemy), it’s not really clarified until the end of the film. (If the ending is a twist, it’s one of those natural, unforced twists that you sort of anticipate before it is announced… in other words, the kind of twist that works just as well on subsequent viewings.) Acting is hither and thither, but that’s probably the most easily forgivable sin in just about any student film, as far as I’m concerned.

The New Guy (d. Bilge Ebiri, 2003) — This is one of those movies that starts here and ends waaay over there. Even in saying that, I’m afraid I give too much away about Ebiri’s surreal comedy, which catalogues the increasing foibles that make clerical work like purgatory. Perhaps literal purgatory. (The film has garnered comparisons to any number of directors; Buñuel seems to be the most oft-mentioned, but I think the most tangible precedent informs the Lynchian finale.) Ebiri’s greatest strength with this feature is in how he uses repetitive details to push humor into fatigued horror, then back into hysterics. Nice use of a) Holst, b) attractive actors whose hotness comes in all shapes and sizes, and c) Vernacular. Oh, and the slow burn is actually really fantastic.

The Custodial Code (d. Andrew Zilch, 2003) — I took my first film studies class at Concordia with this and we formed a study group together with two other girls, Lace and Sara. Because it seemed like the appropriate thing to do, we decided to randomly point to titles from the back of our text book (Gerald Mast) and discuss what they could be referring to (so long as we didn’t know what they were). The single greatest title we landed on was Get Thee Out! (Dmitri Astrakhan, 1991), which more or less became the name of our study group after we went through our texts and captioned all the stills with this demand. (The game reached its high point when it was applied to a still of a very shocked and preturbed Holly Hunter in Jane Campion garb… laughing for hours in the Perkins restaurant… good times.) Anyway, I had a moment of revelation when Zilch’s name popped up in the end credits of A.I., of all films (in that it only happened to be the best movie I’ve yet seen all decade and I just happened to be scrutinizing the credits meticulously because I was unable to move from my seat, completely blown away and worn out), and now, a few years down the road, I see that this short is playing on Minneapolis PBS. It’s a totally diverting, wonderfully snarky number that reminded me very much of the impishly wry study partner I had in the primitive stages of my cinephilia. It also, incidentally, features Brett McDermid, who did lots of theater at Concordia. I still have laughter aftershocks from the interpretation of a daft poet laureate he performed at the final Slushpuppies show on the mainstage.

Leech Lake Dreams

Posted by Eric on November 15th, 2004

(re: the music playing right now: Christina Milian’s “Whatever U Want”… It’s amazing that just as soon as I think I can write off trashy dance club tunes, another one will pop up and make me forget I ever want to give it all up and transcribe Bartok metre until I discover the secret of life. At this point, I’m almost inclined to say there hasn’t been a mainstream dance single with as much ribbitting low-end openness in the bassline since Paula Abdul’s “Vibeology.” It’s cavernous and it’s pillowy and it’s easy to get lost in it. If only the vocals weren’t so far front in the mix — at least Paula had the good taste to filter her chirp down to Betty Boop 78rpm levels.)

I am always saying that I have never had a recurring dream (aside from those terrifying nights where my dream keeps looping itself and I wake up over and over again, with only the naive hope that I won’t have to crawl through that amorphous, elongating, narrowing red tube again allowing me to have the courage to go back down again). But now I’m realizing that this is not exactly the truth. I had two dreams in the space of three or four days that involved my trip to Leech Lake, only neither one had much to do with Leech Lake as I know it. I can’t figure out why this annual event becomes such a springboard for the least parsable images I dream up. Years ago, I dreamed that we (meaning “me and phantoms that resembled the concept of relatives-companions”) arrived at our resort to find that it was off-season and that, somehow, off-season meant out-of-season. The entire place had reverted back to early-’70s wilderness lodge tackiness… er, moreso. And I was the only one left and, therefore, had to take the reigns of the outfit and run it myself. I grabbed a few issues of Field & Stream-type magazines for a crash course cram, but was dismayed that all they told me how to do was murder renters. Which I did.

Neither of my recent Leech dreams were as desolate as that old favorite, but one was easily as slimy. This afternoon, during one of my naps that I continue to insist to myself are not due to depression, I dreamed that our cabin’s bathroom was a bombed-out mess of charred tinder stalagmites under a wet toilet-paper sky and with the floors covered in juicy rolls of pitch black sludge. When summoned to repair our facilities, the swarthy manager helpfully hooked up a hose to the wall and topped off the room with more sludge. Yes, he filled it right to the brim. Most of my dreams are probably spurred on by financial anxiety; at least that’s what my waking thoughts will have me believe. This might be the best cabin that I or any of my siblings/cousins will be able to afford in the future.

The other dream, from a few days ago, is a little more vague now, but once again the skies were that grim color that hamburger patties have when they first start to cook in frying pans. I was splitting my days between sneaking into morning film classes in, I guess, New York for free under the facade that I was just dropping in for “observational purposes” and then frittering away my afternoons back at Leech with my part-time job: standing guard out in the fenced-in playground of the childrens’ internment camps (mandatory for all families staying at Leech, and no they don’t get their kids back at the end of the week). I think that at one point I showed the little tykes the student film I was making with stolen equipment and was disappointed in their reaction.

Speaking of DIY cinema, this weekend I watched no less than three films directed by boys I know personally, if I may be so presumptuous. All three were really quite good. I’ll do a short write-up on them tomorrow. I also watched a cornucopia of oddities in addition: a morose-fabulous (but not really all that good) gay hustler flick based on Bruce LaBruce stories, a 1964 film with the truly bizarre idea of “re-creating” a hypothetical trial for Lee Harvey Oswald following the assassination of JFK, and a couple hours’ worth of a-g shorts by Bruce Conner, Kenneth Anger, and Robert Breer (it’s sort of difficult for me, as a newbie in this field, to realize when I’m having revelations with this material, but I will say that Conner’s Breakaway provided me with that rare sensation of realizing I know exactly what is being conveyed, aware as I am that I am, by definition, totally wrong). I wrote up the first two for City Pages, and might also make some observations on the shorts later.

Personal Thanks (You For Bein’ A Friend)

Posted by Eric on November 4th, 2004

Mark, thank you so goddamned much for getting me to listen to Tom Waits’ “Misery is the River of the World.” It’s the bitter placation I need at the moment.

[ / drama queen-in-indiefuxor-clothes ]

Also, I accidentally missed my dental appointment this afternoon in favor of sleeping. I like to think that I rarely do anything without at least a shred of conscious choice behind the action (and, as evidence in support of this theory, I submit to the court that on the way to work I physically slapped my face to remind myself not to take a nap when I got home after my shift), so my best reasoning is that I was too depressed to submit myself to physical pain… which come to think of it doesn’t make sense because my teeth ought to be in better shape then they’ve been in for years — I had my outstanding cavities filled three months ago and my last cleaning six months ago (the gap between my previous cleaning was three years). Maybe I didn’t think the appointment would be suitably painful and instead opted for the shameful embarrassment of social irresponsibility. When telling my parents I’d missed the appointment, I asked them if I’d still be charged, almost hoping I would be.

Re: “I rarely do anything without at least a shred of conscious choice behind the action”

This, of course, applies to my dreams as well. While missing my dental appointment, I dreamed a Golden Girls episode (not that I was watching an episode, but rather one literally played out in my mind). At one point Rose is discussing her childhood schooling and mentions that, although she graduated from St. Olaf High, she had previously attended “al-Qaeda Elementary.” Open and shut case of subconscious nonsense, right? Sorry, no. In my mind, this dream is a clear explication of the mental stress I’ve accrued coping with the realization that a device I’ve long considered a mere conduit for escapism and ideological (drag queerish) psychological projection (i.e. something I plunge into) has to many around me become in the last few years a giver of identity and an informer of emotional response (i.e. sit in the Crossfire and you damn well better pick your side). Still, if Rose had mentioned having gone to “Trading Spaces Elementary,” I don’t know what I could’ve made of it.

NYC Trip Journal: Day #2

Posted by Eric on November 2nd, 2004

10.21.04
I dunno. I always have difficulty sleeping in new environments, at least for the first evening I’m there. I’ll frequently bring my head up on the middle of the night and feel overcome with the notion that East became West and that somehow, my mattress had been stapled to the ceiling in the middle of the night like in that Roald Dahl story The Twits. But when I woke up at roughly 1:30 in the morning this time, my environment was more foreign than I could ever remember, as I could clearly hear Nancy in her room engaging in wild sexual activity with her boyfriend. I would’ve written it off, but I have a habit of seemingly going through lightening quick sleep cycles on these first-night-in-new-room escapades, and every time I wake up, I feel like I’ve been sleeping for an entire hour when, in reality, I’ve only been out for a handful of minutes. Consequently, in my half-awake stupor, I came to the conclusion that Nancy had been working it goddammit for roughly 37 hours. My dementia-induced vicariate-vagina ached just thinking about it.

I woke up at 9 (which was, by my body clock, 8… of the following day) and immediately walked to the corner Walgreens to buy some Mountain Dew and Aleve, just to be safe, and coordinated the first meeting of the trip, with Damien. After taking the bus but my own lonesome (and taking due note of the fellow tourist who seemed to think I actually knew where the hell I was going when she asked “will this bus go downtown?”), I took the long way around past Times Square, just to see what had changed. The answer was not much, although I had noticed (upon Ed pointing it out to me the previous evening) that the disinfect-and-homogenize process that had already cleaned up that area had spread to the Port Authority drag. (When I looked across the street where I remember a porn video shop being and saw a Cold Stone Creamery, I was mildly crestfallen.) The evening before, I had wrestled sporadic control of the television just so I could check up on Game 7 of the suddenly monstrous American League championship playoffs, after Boston had managed to come back like no other team ever before. The collective three minutes I watched of the game were some of the most satisfying moments I’ve had in all my collective four or five years of baseball fandom. When I was walking earlier that evening with Ed en route to the art-porn flick, I noticed at least one NY Yanqs hat or jacket to every ten or so passersby. Walking the next morning, I think I’d have to have been eagle-eyed to scope more than three total.

Ditto Bush stickers/signs/buttons/sandwich-boarders. Once I’d been buzzed into Damien’s building and scaled the two flights of stairs (ensuring I’d have a healthy glow about me when he opened the door), I caught a glimpse of the Parisian doormat and tried to think of something to say in French quickly, but couldn’t before he’d opened the door. Instead, I stepped over his chat and noted how adorably gros it was and demanded a tour of his apartment. Nice first impression, I’m sure, but Damien was good enough not to kick me out. Instead, we walked along the street and Damien pointed out the exact locations of the neighborhood’s very lonely Bush supporters. We shared a meal at a film-themed diner on, I believe, 8th Avenue (we passed an ugly scene on the way there — a horrifically lispy waiter yelling at the unhinged vagrant who had the audacity to sit under the restaurant awning), I somewhat gauchely/voraciously ordered a big juicy cheeseburger, but it was the first chance I’d had since a few days earlier to take in some protein. After going over our shared history at an Oscar message board, I attempted my first in what would become a long string of unsuccessful bids to pick up the entire tab. I had to cash a traveler’s check, so I just accepted whatever cash Damien wanted to give me. The only problem came when he kept on giving me a few extra bucks… to be followed with a few more. It struck me so hilarious that we were walking down the street and he was palming me for a few more that I decided to just spend some of his money on John Kerry buttons. 3 for $5, but they had to be small. I chose one that said “Gays and Lesbians for John Kerry,” one that said “One Nation Under Surveillance” (which I just gave to my father on Election Eve to put on his saxophone case), and the Ghostbusters one with the letter “W” instead of a ghost. We walked past the David Letterman studio just as Biff Henderson came through the stage door to round up a crowd. I pointed out to Damien that his job was, more or less, my job too (without the cue cards or health benefits). But speaking of which, Damien had to leave at that point to attend his job, and after reminding me of exactly how to use the subway (at which point it somehow clicked, more or less) and after mentioning that I might be free and willing to get together a second time that Sunday afternoon (a suggestion that I managed to forget until I was sitting in the Newark terminal on Monday afternoon, slapping my palm against the indentation in my brow, making meaty-slappy noises to reflect my frustration), I went on my way back down to SoHo.

I arrived well over two hours early for my meeting with Jaime, and so I walked around a few blocks of Houston and Broadway, patting myself on the back over having correctly guessed which direction to walk upon exiting the subway. I took a stop at a used bookstore and didn’t buy anything; for some reason, my stinginess was starting to kick in to the extent that I was considering donating blood at a clinic advertising “Donate Blood and receive a Free Movie Ticket,” even though I was pretty sure it would only be redeemable at a Mann’s or an AMC. They took the sign in as I approached, so I sat on a park bench and called Jess and Adria. Adria was on the other line with her new boyfriend, but Jess was excited to hear from me, and I informed her that moments ago, I had seen her mother walking around with an unleashed dog. I also called Zach and was relieved to hear that he was only two or three blocks away from where I was sitting. I hadn’t planned on meeting him until the next afternoon, but since I had nothing but time (actually, an extra hour on top of what I thought I had, as I had told Jaime 6pm, but filed it in my memory as 5… I blamed the time zone again) we walked to one of his favorite coffee shops, where I had an unsweetened lemonade and leaned my shoulder against the cold dessert display glass because, whether due to walking around all day, changing environments or simple social nervousness, I was again dabbing the meat sweat off of my brow. We chatted about other message boards, his education (I admitted that my mom was really pressing me to check out NYU for possible graduate programs, though I think I’d stand a better shot at concentrating on my studies if I was back in Fargo again, not going to the movies three times a week), Stevie Wonder (I was wearing a glitter-strewn black shirt featuring The Man in a classic, 1973 pose), something depressing that I have since banished from my memory, and everyone else I had yet to meet. After warning me that the Angelika is a sort of chach, poseurish establishment (he told me about the dude who wore headphones blasting techno music during his screening of Esther Kahn), we split ways and I went back to the Crate & Barrel where we’d planned to meet.

I waited while he finished up an entry on his blog about Jon Stewart’s appearance on CNN’s Crossfire the previous week (which I had watched, but I was at work doing other things) and, actually, started worrying that I might have missed him as he walked out the door and strolled over the the Angelika. After all, I’d gotten the time wrong originally, and so there was no reason to believe I’d gotten the location right. But eventually he came down the stairs and we bought our tickets and walked around. He mentioned that we would be stopping in Kim’s, and I knew the name rang a bell, but I wasn’t sure why. We stepped in and I sweated for the third time that afternoon, this time out of sheer jealousy. Three stories of reasonably-priced artsy DVDs, obscure out-of-print rentals, and uncut cinephilia (and music, as well). I very nearly sprang on an import DVD of Brian De Palma’s early works (including Dionysus in ‘69), but the stinginess kicked in once again for no discernible reason. After we left and he bought a quart of a caramel-colored liquor (not from Kim’s), he had a Subway wrap with no jalapeños or green peppers (but I’m pretty sure a few stray jalapeños found their way in anyway) and I pointed out that my very favorite disco song had come on the radio: Earth, Wind & Fire’s “September.” At this point, I had met three internet acquaintances face-to-face for the first time and, as far as I was concerned, I was batting a thousand. All were humble, gracious, intelligent, and by the time I had gotten to Jaime, my euphoria over my good luck was making me start to worry that I was maybe beginning to come off as overly boisterous and fake.

We went to Primer. For the second evening in a row, I came out of a movie in an extremely cloudy state of mind, and was far more interested in my companions’ reactions than my own. I’m glad that Jaime heard the “faggot” dialogue too, because I was almost convinced that I’d made it up in my mind in a knee-jerk fashion to validate what I saw as the film’s masculinity. I might have been a bit more dismissive of the film, but I tried not to devolve too far into making evaluations of it on a Good—Bad continuum, aware as I was that Jaime isn’t much interested in such appraisals. Jaime and I split ways, but not before we agreed to meet up once again for a Three on a Couch viewing (when he would postemptively confirm that he wasn’t trying to express his feelings about Primer on a star-scale). He told me in three seconds flat exactly what I had to do to get back to Port Authority, and, by this point, I had almost anticipated what he was going to tell me. No longer feeling like a fucking sightseer, I tried to pick out which riders on the F train were, like me, former tourists who were pretending to be, if not natives, at least residents for the past few months or seasons. I wonder if they thought they were as pathetic as I thought I was in their guessing game. I can’t remember what conversations I had with Ed and Sal that evening (or really any evening short of the final one), but I know that Nancy was there and she was embarrassed enough to tell us all to shut-up-I-hate-you for speaking about her sex the previous night. They were watching Will & Grace. I was eating a chicken parmigiana melt from the pizza parlor down the street. Everything else was a blur. I went to bed listening to my iPod. I saw my first roach then.